by kristinoakley | Oct 10, 2024 | Books and Movies, For Readers, For Writers, Newsletter
For this month’s Writer’s Book Club, I’m reviewing the 1967 coming-of-age novel The Outsiders by S. E. Hinton (and narrated by Jim Fyfe). The book gave birth to a 1983 film adaptation starring C. Thomas Howell, Ralph Macchio, Matt Dillon, Patrick...
by kristinoakley | Sep 15, 2024 | Books and Movies, For Readers, For Writers, Newsletter
This summer was jam-packed with watching great films and television shows. What makes them great? Authentic acting, thrilling action scenes, poetic cinematography, and beautiful settings and costumes. But what I love most is spot-on character development (and good...
by kristinoakley | Jul 14, 2024 | Books and Movies, For Readers, For Writers, Newsletter
For this month’s Writer’s Book Club, I listened to George Saunders narrate his book The Tenth of December. The book is a National Book Award Finalist and Time, Entertainment Weekly, and BuzzFeed named The Tenth of December one of the best books of the...
by kristinoakley | Apr 6, 2024 | Books and Movies, For Readers, For Writers, Newsletter, Writer's Book Club
For this month’s Writer’s Book Club, I’m reviewing The Hacienda by Isabel Canas and Dark Matter by Blake Crouch. I had a lot of issues with both books, but while I found it tough to get through The Hacienda, I thoroughly enjoyed Dark Matter....
by kristinoakley | Feb 29, 2024 | Books and Movies, For Readers, For Writers, Newsletter, Writer's Book Club
For February’s Writer’s Book Club, I review The Silent Patient by Alex Michaelides, narrated by Jack Hawkins and Louise Brealey. In this bestseller, a criminal psychiatrist attempts to treat a woman who murders her husband and then never speaks. I bought the audio...
by kristinoakley | Feb 1, 2024 | Books and Movies, For Readers, For Writers, Newsletter, Writer's Book Club
For this month’s Writer’s Book Club, I decided not to review Starter Villain by John Scalzi. I stopped reading it barely halfway through because nothing was happening. The protagonist asks a secondary character three or four times, “Why are we...
